From a very young age, I have loved Art in all its forms. Whether it was my own early creations, which relatives dutifully received on every occasion I could deem special (basically any day ending in a Y!), or my attempts to “improve” my environment, which included a full-length painting on my bedroom door of my then favourite group, Immaculate Fools, when I was 14 (my parents were very encouraging and tolerant), I have painted and created. However, in more recent years the creativity has been inched out in favour of appreciation, which is why I could not resist the opportunity of viewing a Banksy creation in situ.
So, last Sunday I made my way to Payers Park in Folkestone to view Banksy’s “Art Buff”. The photo shows me beside the artwork, which less than 24 hours later would have an unwarranted addition to its empty plinth:
Banksy aside, there are a number of urban artists producing some fantastic pieces, but who do not receive the media hype of the elusive artist. One such artist is Terry Sue-Patt (TSP Hoodie). If the name sounds familiar, you were probably a Grange Hill fan when the programme first launched. Terry played the part of Benny Green, the sidekick of Peter “Tucker” Jenkins, and the first Grange Hill pupil to ever appear on our TV screens. Some of Terry’s work is inspired by, and features, his Grange Hill character. Exhibiting alongside the talents of artists such as Norwich-based David “Gnasher” Nash, and Lisa Richer (LisArt) in Brick Lane’s “Monty’s Bar”, Terry’s work is both accessible and affordable. Last year, I bought one of Terry’s “Benny Green” pieces, during his Grange Hill Exhibition at the bar, and it has hung proudly in my hallway ever since. I never tire of looking at it – surely a sign of enduring art.
I love to discuss Art almost as much as viewing and having a go at creating it, and was in my element when I happened to encounter an Art lecturer, whilst working in a book shop. What began as a discussion about a local Eric Gill sculpture, ended almost as a confessional of our own artistic shortcomings. He admitted that he hates people looking over his shoulder at what he is sketching, when he works outdoors. I revealed that for about the last ten years, I have not finished any of the paintings I have started. Some may only have an square inch piece missing, but they remain unfinished. The lecturer’s theory was that in not finishing my paintings, I was preventing them from being judged. When a painting is finished, the artist is saying they are happy with the piece (or at least happy for it to be viewed), and therefore open to criticism. In keeping my work incomplete, it stopped it being criticized. Heavy stuff, but it made sense.
In an attempt to get me past this fear of criticism, and to actually finish a painting for once, I thought I would publish some of my teenage artwork, which I did during the 80s. The punk was a school project, with the right half being cut from a magazine, and the left half painted by me when I was about 14. I painted the (lopsided) Marlon Brando shortly afterwards, during some time off school, when I had happened to watch “On The Waterfront”.
I had injured my arm, and had to have it in a sling, which meant I painted Marlon right-handed (I’m a leftie). That’s my excuse why he’s wonky anyway, and I’m sticking to it!
I hope that anyone who owned a copy of Frankie Goes to Hollywood’s “Welcome To The Pleasuredome” album will recognise my efforts on the right. Again, this would have been drawn during my mid-teens. It was one of the many, many music based pictures I drew or painted, and now it, and my other work, is out there for the world to see…Don’t judge me too harshly!