I’d Rather Jack Up The 80s

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Some summers remain firmly fixed in our memories, as vivid as the days we experienced them. For me, my first teenage summer in 1984 was long, hot days spent soaking up the sun, set against a backdrop of some of the best music of the decade: Prince, Frankie Goes To Hollywood and my favourite track of the Eighties, The Kane Gang’s ‘Closest Thing To Heaven’. Ten years later, the music had taken a backseat and cooling shade had become my best friend, as I enjoyed my first summer with my baby daughter. Fast forward to 2016, when both my adult children had flown the nest, and I found myself travelling back three decades, listening to the music of my youth in glorious sunshine.

The reason for this fabulous blast from the past was the Jack Up The 80s festival on the Isle of Wight. Now in its fourth year, the event was held on 13th and 14th August. Set in beautiful countryside on the outskirts of Newchurch, it was blessed with fantastic weather as well as some outstanding performances.

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Fun in the sun at Jack Up The 80s

Strolling across the festival field when I arrived on Saturday, I was greeted by the sounds of local band High School Never Ends. The duo, who were also the opening act the next day, brought us some great rock classics from the likes of Billy Idol and Twisted Sister. Although I’m not too sure about their inclusion of Partners In Kryme’s ‘Turtle Power’!

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Ska’d For Life’s Charissa Bartram (Sax), Ben Bartram (trombone) & Russ Osman (trumpet)

From Rock to Ska, both days saw local band Ska’d For Life take to the stage next. Delivering all the favourites from the likes of The Specials and Madness, the band went down a storm with the crowd who, by the end of the set, were more than ready for what the rest of the day had to offer.

Saturday saw Light of The World kick off things for the 80’s acts. Dressed in sharp silver suits, reminiscent of my clubbing days, Nat Augustin and Gee Bello looked as good and smooth as they sounded.

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L-R: Nat Augustin, Gee Bello, Myles Kane, Jimmy Chambers & Jimmy Helms

The same can undoubtedly be said for Londonbeat, who were next in the running order. Dressed in brilliant white, the trio, led by the ever-youthful Jimmy Helms, delighted us with a pitch perfect acapella rendition of ‘9 A.M. (The Comfort Zone)’ ahead of a soulful and upbeat set, which included their 1990 No. 2 hit ‘I’ve Been Thinking About You’.

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Clark spies me behind the camera

A short break as instruments were set up on stage, and then we saw Johnny Hates Jazz make an appearance. A well-balanced mix of old and new, we heard 1987 hits ‘Turn Back The Clock’ and  ‘I Don’t Want To Be A Hero’ alongside contemporary tracks like the 2013 release ‘Magnetized’. I had interviewed lead singer Clark Datchler earlier in the day, but was nonetheless surprised when he spotted me taking photos at the front of the stage, during the band’s performance of  ‘Shattered Dreams’.

As the set drew to a close, I made my way over to Phil and Bruce, a couple of twenty-somethings I had interviewed earlier for The 80’s Annual, who were working on the Pizzeria van.

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Bruce (L), Phil (centre) and the Pizza boys

Returning with my takeaway food to the backstage tent, skillfully designed by Jo Monck in a Royal Wedding theme, I found it to be empty except for one other person. And that is how I came to be eating pizza on a sunny August afternoon, as Paul Young snoozed on the sofa behind me. I did toy with the idea of waking him, to inform him of the interesting fact that his birthday is the day after mine, but knowing what I am like when I’m tired thought it best to let sleeping singers lie!

The arrival of From The Jam and Leo Sayer on site soon saw the backstage buzz return, and it wasn’t long before we were presented with the opportunity to photograph three musical greats together.

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Bruce Foxton, Paul Young and Leo Sayer

To say that meeting Leo Sayer was a pleasure is an understatement. P1000179 (800x787)After this photo was taken, we spent some time discussing the writing talents of Billy Nicholls, who wrote the singer’s 1978 No. 6 hit single ‘I Can’t Stop Loving You’ and whom I had met the previous month, when he performed with old friends Slim Chance. Saturday’s headliner treated us to tracks from across four decades, including ‘One Man Band’, ‘More Than I Can Say’ and ‘You Make Me Feel Like Dancing’, and more than deserved his top billing. However, for me, it was the preceding two acts who ranked highest.

Rounding off the afternoon’s performances in style was Paul Young, who was joined by fellow Los Pacaminos member, guitarist Jamie Moses. Anyone who has witnessed them playing in the side project they founded in 1992, will be familiar with the camaraderie between the pair. As the singer launched into some of the hits from his solo career, including ‘Love of The Common People’, ‘Every Time You Go Away’ and ‘Wherever I Lay My Hat’ that friendship was never more evident. Perhaps more used to having underwear thrown at him during the Eighties, Paul looked somewhat bemused when a woolly hat landed at his feet. He placed the winter attire on the head of guitarist Dale Davis who, unable to remove the knitwear whilst playing, continued to wear it for a number of tracks, much to the amigos’ amusement.

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Dale Davis wears the woolly hat that put a smile on the faces of Paul Young and Jamie Moses

The hilarity reached even greater heights after a wardrobe malfunctionP1000308.JPG occurred during the performance of ‘I’m Gonna Tear Your Playhouse Down’. Sitting on the edge of the stage to deliver the second half of the song, the singer leaned back to put even more power behind the vocal. I think he must haveP1000313.JPG felt something snap at this point, because when Paul stood up, those of us close to the stage could see his belt had broken.

Anyone who was not aware of the situation was soon put fully in the picture, thanks to Jamie’s on stage antics, as shown in the video below. Ever the professional, Mr. Young left to make a swift costume change, returning sporting a new, shiny belt.

Clothing capers and band chemistry aside (although the latter is undeniably an integral feature that only serves to enhance the overall performance) this was an amazing set of classic Paul Young tracks, which all his fans in the audience (including me) will treasure. It was only surpassed, by the very tiniest of margins, by that of From The Jam.

Featuring a current line-up of Bruce Foxton, Russell Hastings, Mike Randon (drums) and Andy Fairclough (Hammond organ) the band went straighP1000557 (800x607)t in for the kill, opening with their 1982 chart topper ‘A Town Called Malice’. Hit after hit followed, including ‘David Watts’, ‘Going Underground’, ‘Beat Surrender’, ‘That’s Entertainment’, ‘Eton Rifles’ and an encore of ‘Down In The Tube Station At Midnight’. Totally mesmerised by the band playing just feet away from me, I remained in my photographic vantage point at the front of the stage throughout the whole performance.

Whilst there, I noticed a change in the chants emanating from behind me. Cries of “We love you, Paul” had beenP1000580 (738x800) replaced by gruff, one-word shouts of “Bruce” and “Russell”. Glancing over my shoulder, I took in the now predominantly male contingent stood at the barriers. This is what they had been waiting for all day long, and who could blame them?
Russell Hastings fronts the band in a way we would have thought inconceivable during the Eighties, spitting out lyrics with a force and passion of which Weller himself would be proud. Bruce Foxton retains his iconic status in my eyes, a genius bass player who twice performed his famous mid-air jumps during the set.

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One of the most animated drummers I have ever seen live, Mike Randon plays with a fervour better associated with musicians whose instruments afford them mobility around the stage, as was the case with Andy Fairclough. Watching him furiously strike the keys, it felt almost as if he was imprisoned by his keyboards, his frenetic playing his only chance of escape.

The whole effect was an explosive, exciting and capivating display of some of the best songs to come out of the Eighties. How would Sunday compare?

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Mike Randon, Andy Fairclough, Russell Hastings & Bruce Foxton after From The Jam’s set

The second day of the festival saw the 80’s artists begin with Nathan Moore who, inP1000744.JPG addition to singing the Brother Beyond tracks ‘The Harder I Try’ and ‘He Ain’t No Competition’ brought us The Gap Band’s ‘Oops Upside Your Head’. In no time, huge rows of festival-goers were sat on the ground,  floor-dancing to the Rowing Boat Song. A crowd pleaser if ever I saw one.

Next on stage was a man whose No. 3 single ‘My Favourite Waste of Time’ becameP1000861.JPG synonymous with the Summer of ’86. It is hard to believe that 30 years have passed since then, but as Owen sang the catchy track and the sun shone down, I was once again 15 years old.  The Glaswegian singer, who also performs alongside his brother, ex-Simple Minds drummer Brian McGee, in the band XSM included in his set ‘Don’t You Forget About Me’ and ‘The Living Years’, a song he perfected during his time spent with Mike and The Mechanics. He handed over a well warmed up audience to Phil Fearon.

The Galaxy frontman, who featured dance floor acrobatics in his 80’s appearances, may have put his backflips on hold but little else has changed in the past three decades.P1010009.JPG Looking considerably younger than his 60 years, Phil sported that 80’s favourite fashion combo of t-shirt and suit, as he delivered a feel good set of disco tracks such as ‘Everbody’s Laughing’, ‘I Can Prove It’ and ‘Dancing Tight’. He set the scene perfectly for Bizarre Inc. vocalist Angie Brown.

Accompanied by sons Cuba (11) and Charlie (8P1010047 (573x800)), the singing sensation showed she had lost none of her extensive vocal range over the years, as she powered out ‘I’m Gonna Get You’, watched proudly by her boys from behind the stage curtains. They gave no clue when I photographed them that minutes later they would be joining their mother for a rendition of Sister Sledge’s ‘We Are Family’. Performing obviously runs in their genes, and as the mini entertainers returned backstage, I remarked that it looked like they had enjoyed themselves, to which Cuba replied “Yes, that’s why I do it for no charge.” A star in the making, surely. A little while later, Charlie, who has to be the most eloquent 8-year-old I have ever encountered, engaged me in conversation. Flitting between topics such as his ambition to be an Olympic gymnast or a dancer, and favourite annual events (he argued a very convincing case for Hallowe’en), I was only reminded of his young age when he burst into a fit of giggles, upon hearing Denise Pearson working through her vocal exercises at the far end of the tent.

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Stars in the making: Angie Brown’s sons Cuba (left) and Charlie

Five Star were due on stage after tribute band Abba Chique. While the faux Swedish singers performed, I chatted with more of the colourful crowd. From families to groups of friends, forty-somethings and older to my kids’ generation and younger, everyone was brimming with praise for the festival. Whether it was the provision of children’s lunch boxes, reasonably priced catering or simply “bloody good music”, the general consensus was a big thumbs up for Jack Up The 80s. I have to say, I agree.

As with any retro festival, the weekend also presented us with more than a smattering of neon and a plethora of fancy dress. I spoke to Mr. T. a.k.a. Michael Bending from Northampton. The 46-year-old has appeared at Jack Up The 80s dressed as The A-Team’s B. A. Baracus for the past four years. At least he never had to get on no plane for the 300 mile round trip!

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Some of the outfits worn by Jack Up The 80s festival-goers

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Buster Bloodvessel with his copy of ‘Your Eighties’

Returning to the backstage area, I discovered that Bad Manners had recently arrived. Having greeted the band, I gave Buster Bloodvessel a copy of my book ‘Your Eighties’, for which I had interviewed him almost two years ago. Much to the group’s amusement, I then made the mistake of asking “Can I have a photo of you holding it?” Naming no names, but a certain saxophonist has a particularly smutty mind!

Leaving the boys to enjoy their backstage banter, I returned to the front of the stage to await Five Star, who were minus Doris that day. In her place was Kerry, who sang and danced with the same highly polished quality we have come to associate with the Pearson siblings.

Opening with their 1986 Top 10 single ‘Can’t Wait Another Minute’ and finishing with their biggest hit ‘Rain or Shine’, the quartet also featured a number of superb cover versions in their set, such as Whitney Houston’s ‘I Wanna Dance With Somebody’, The Jackson 5’s ‘I Want You Back’ and Mark Ronson’s ‘Uptown Funk’.

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Feeling the love at Jack Up The 80s: Five Star’s Stedman, Delroy and Denise Pearson

Looking every bit as good as they sounded, and executing each dance routine in complete synchronicity, it was apparent that their dedication to achieving entertainment perfection was equal to their dedication to each other.

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Bad Manners drummer Mark Hamilton

Minutes after Five Star left the stage, drummer Mark Hamilton was warming up backstage ahead of his performance with Bad Manners. Ripples of anticipation spread amongst the crowd as Ska fans made their way forwards, eagerly awaiting Sunday’s headliners.

Before you could say “Lip Up Fatty”, the band bounded on stage and the party started. Buster saluted the audience with his pint of lager before transporting them back to the early Eighties with tracks like ‘Special Brew’, ‘Walking In The Sunshine’ and ‘Fatty Fatty’, alongside later material such as the 1992 release ‘Feel Like Jumping’. And jump they did.Bad Manners.jpg

Like a bunch of tequila-fuelled schoolboys, the band bounced, ran and laughed their way through the final show of the weekend, and we loved them for it. Watching the crowd, arms aloft, singing and dancing along, with the biggest of grins on their faces, I could think of no better choice of act to finish this nostalgia-fest. More than the skilled musicianship, which these guys have in heaps, this was about fun with a capital ‘F’.Bad Manners 2.jpg

That evening, I left the festival field feeling years younger, having gained some very special memories, not to mention some special friends. What better motivation for you all to descend on Isle of Wight next August, for Jack Up The 80s Volume 5? I’ll see you there.

 

 

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Beyond Gregory’s Girl

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For a generation of women, John Gordon Sinclair will always be remembered as the gawky teenager, who starred in Bill Forsyth’s 1981 coming-of-age film “Gregory’s Girl”. This was illustrated in the Q&A section of John’s appearance at Whitstable’s first literary festival (WhitLit) on Sunday evening, when he was asked if he could write something for those “who loved him in Gregory’s Girl, but don’t like reading crime fiction.” For once, it wasn’t me stuck in an Eighties’ timewarp, and as a big fan of crime fiction, I found John’s appearance not only entertaining, but it gave a revealing insight into his transition from actor to writer.

I refer to John Gordon Sinclair as an actor at my peril. John joked at the outset of his WhitLit debut that he finds the term “mildly insulting”, preferring to consider himself “more as an electrician with an imagination” (his first job in Glasgow was as an electrician). As an audience, we were left in no doubt that acting is something John does to pay the bills, and something he will stop as soon as it is financially viable for him to do so. Writing is his passion, and he feels that “as a writer, you’re the one in charge [which is] a very satisfying position to be in.” John describes his approach to writing as “trying to describe the film that I’ve got running in my head”. This extends to him acting out the roles of his characters in front of a mirror in the shed at the bottom of his garden (his “Roald Dahl” shed), where he does all writing. In an attempt to normalise this part of John’s creative process, he explains that he doesn’t feel so mad when doing so, since discovering that Charles Dickens used to do a similar thing (although not in a garden shed!). However, he does concede that he hopes none of his neighbours happen to walk past during his characterisation performances.

John cites Dickens as one of his influential writers, alongside American crime fiction writer, Elmore Leonard. When writing his first novel, “Seventy Times Seven”, two of John’s characters meet in a correctional centre in Alabama. Whilst researching such facilities, he discovered that one was named Elmore Correctional Centre, so there was no doubt in his mind that this would be where his characters meet. In his second and current novel, “Blood Whispers” John again pays homage to Leonard by naming his DCI Mark Hammond, after a sergeant in one of Leonard’s books. Despite his love of Elmore Leonard’s books, John feels that quite a few of them fall short in their emotional engagement of the reader. “If it’s a crime thriller, I want to be thrilled and see some crime…I want to be manipulated when I read a book or go to the cinema.” Returning to his own writing, John continues “If you shed a tear, that’s the best thing in the world for me”.

As an author, John Gordon Sinclair is as yet undiscovered by me, but as a fan of crime fiction, one I am now keen to explore. This evening, I will begin my newly-purchased copy of “Blood Whispers”, (inscribed by the author, of course!). If Mr. Sinclair is anywhere near as engaging in his writing as he is in person, I know I am in for a crime-thrilling treat.

737334_10203282281129396_751213627579749299_oAbove: Me meeting John Gordon Sinclair after his WhitLit appearance – 11th May 2014

Revision of Eurovision

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Listening to Ken Bruce’s Radio 2 show this morning being broadcast from Copenhagen, in preparation for tomorrow’s Eurovision Song Contest, I was reminded of past entries, about which I thought I had completely forgotten. One of my favourite UK entries was in 1982, when Bardo sang “One Step Further”. They were beaten to the prime position by Germany’s Nicole, singing “A Little Peace”, another song that was etched in my memory. However, it wasn’t until this morning that I was reminded of Sweden’s 1984 entry, The Herreys singing “Diggiloo Diggiley” and Norway’s Bobby Socks singing “Let It Swing” in 1985. Catchy, cheesey pop at its very best!

Even those songs I knew I had stashed in my memory held a little surprise for me. No one was more shocked than I, when I sang along word-for-word to Johnny Logan’s 1980 winning entry, “What’s Another Year?” The more I listened to Ken’s show this morning, the more I realised how much I had absorbed from the Eurovision of my youth. Most of it is Eighties-based, although I can’t write about my Eurovision favourites without mentioning Brotherhood of Man. I may have only been 5, when they won the contest with “Save All Your Kisses For Me” in 1976, but I remember learning and practising the dance routine to the song, with my Auntie Sharon (who will probably disown me now!).

Another Eurovision dance routine I used to know off by heart was the routine to “Making Your Mind Up” by Bucks Fizz, the UK’s 1981 winning entry. This one was ‘performed’ with friends rather than family members though. I’m sure we weren’t the only kids singing and dancing, pretending to be Cheryl, Mike, Bobby and Jay, or maybe living in a remote, rural community meant that we were more likely to make our own entertainment. Whatever the reason, it was a time when Eurovision was still fun, and we still stood a chance of winning. Yes, the Scandanavian countries would vote for each other; yes, we could always rely on Malta for douze points, but a good performance and a good song would still find its way to the top of the scoreboard. Now that the competition is heavily dominated by an Eastern European mutual appreciation society, a return to that scenario is unlikely.

Despite our chances of winning being as likely as Russia giving Ukraine top marks (no reflection of the quality of Molly’s rendition of “Children of The Universe”), I will make a long-overdue return to watching Eurovision tomorrow evening. My enthusiasm for the contest has been re-ignited by this morning’s blast from the past, and with promises of a bearded lady and a Greek rap entry, what’s not to like???