Festival Life’s A Beach

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Back in the summer, I spent  a week in Looe, Cornwall and I fell in love with the place. We didn’t have the best of weather. The average temperature was ten degrees lower than my native Kent I’d left behind, and we had rain and fog on ctcmdjcxgaa7qjga couple of days. Yet, offering the friendliest of welcomes and boasting picture postcard views, not to mention a bountiful supply of crab, pasties and cream teas, this beautiful Cornish town won me over. I could not wait to return at the end of September, to cover the Looe Music Festival.

I did consider the possibility that, with thousands of music lovers descending upon Looe, the town I remembered may not be the one I would be greeted with a couple of months later. However, that fear was soon allayed on Friday morning as I watched the final preparations being made for the first night of the festival. In addition to the main stage, which is situated on the town’s golden, sandy beach, there are a number of venues located throughout the town, hosting the 90 acts playing over the three days. Experience combined with necessity means the festival management and its team run as a finely honed machine, to ensure events run smoothly, on time and, most importantly, enjoyably.

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Interviewing Neville Staple

With so much to choose from, it was inevitable that some clashes arose, as was the case on Friday night. The following day, a number of people told me how good Ferocious Dog had been when they performed  on the main stage. However, I hadn’t made it down to the beach until the evening’s headliner, Wilko Johnson, made his appearance. He far exceeded any expectations I had, and seeing his live performance of  “Roxette” is a memory I will cherish.

The reason I had not made it to the main stage until the former Dr. Feelgood guitarist was giving it his all was due to my penchant for 80’s music and ska. The NeDSC00672.JPGville Staple Band were performing in the Champion Marquee, so it was obvious where I was going to be. Add to that the opportunity to interview the Original Rude Boy himself, and it was a complete no-brainer.

The band’s performance, despite a few technical hitches, went down a storm with the crowd. A real highlight for me was dancing (I hesitate to call the moves I made skanking!) to Concrete Jungle, just feet away from the band. I should also mention that the backing vocals from keyboard player Joe Atkinson, on Ghost Town, need to heard to be believed.  As close to the original recording as you could ever hope to hear.

On Saturday, I was determined to experience as many of the variety of acts as possible, and immerse myself in the musical diversity on offer. I made a good start when I went to watch Bideford Pies and Drams at Portbyhan Hotel in West Looe. They began with songs traditionally associated with the bagpipes, such as Amazing Grace, and I thought they were joking when they asked if anyone had any requests. The next thing I knew, I was listening to a somewhat different, but splendid, version of Queen’s We Will Rock You. It perfectly set the tone for the most brilliantly eclectic day of music I could ever imagine.

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En route to the main stage, we encountered a number of talented street musicians, some of them playing by the Busk Stops scattered throughout the town. You will be pleased to learn that I refrained from inflicting my own vocal talents on passers by, when I found a vacant stop!

Billed as having not “only ‘white hot’metal blood running through their veins [but] a passion of the most intense kind in never ending abundance,” local band King Creature had me intrigued before they had even set foot on the stage.

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Dave Kellaway and Matt Karl Vincent

After powering their way through ‘Dead Inside’ the Cornish rockers, comprising of lead singer/bass player Dave Kellaway, drummer Jack Bassett and guitarists Matt Karl Vincent and Dave Evans, had me hooked.  Pure, unadulterated rock played loud, raw and fast, with the obligatory power ballad ‘Can You Forgive Me?’ the jewel in King Creature’s crown, their set was not only high-octane and dynamic but irresistibly seductive. Needless to say, they have a new fan in me.dsc00726

In stark contrast, the next act to take to the beach-side stage was Scottish singer and song writer Eddi Reader. The former lead singer with Fairground Attraction appeared almost ethereal as the breeze blew in off the sea,  and sang “The Patience of Angels” – a truly heavenly experience. Delighting us with little anecdotes in between favourites such as ‘Perfect’and ‘Find My Love’, the flame-haired songstress was as entertaining as she was talented. A totally feel good performance.

A divergence in musical styles again, Hersham boys Sham 69 were next to play. I loved the incongruity of me sipping Prosecco as I sang along to tracks like “If The Kids Are United” and “Hurry Up Harry”. Although I wasn’t quite so enamoured with the decline in weather, as the band came to the end of their performance. Taking refuge in the nearby Boscarn pub as the rain came shooting down, I only heard snippets of Seth Lakeman’s set on the few occasions when I stucimg_20160924_225222k my head out to check if the weather had improved.

It was still bucketing it down five minutes before Bryan Ferry was due on stage at 9pm. However, determined to see the former Roxy Music frontman perform on the eve of his 71st birthday, we made our way onto the sodden sands. By the time he emerged, 40 minutes later than scheduled, I thought I had reached saturation point. I was wrong. After only three songs, two of which were 80’s hits ‘Slave To Love’ and ‘Don’t Stop The Dance’, we became part of a mass exodus from the beach, as torrential rain flooded the streets of Looe and put paid to any notions I had of watching that night’s performance until the end.

Waking up on Sunday morning, a pile of soggy clothes and hair like Robert Smith’s were the only reminders I had of the previous night’s drenching, as the sun shone brightly in the cloudless, blue sky. Arriving back at the main stage around lunchtime, shortly after Alex Hart had begun singing, I sat down with a little beach picnic of freshly made Looe crab sandwich and a glass of Prosecco (there’s a bit of a theme going here!), as the autumn sun beat down on my face. This was my kind of festival.dsc00776

The day got even better when 80’s psychobilly band King Kurt took to the stage later that afternoon. Slightly tamer than their gigs of three decades ago – thankfully, there were no cat entrails to dodge or haircuts given to the crowd mid-set – it was still one of my favourite performances of the weekend. I found myself grinning from ear to ear as they brought us tracks like ‘Zulu Beat’, ‘Do The Rat’ as well as their 1983 Top 40 single ‘Destination Zululand’, and was not alone in singing “Ooh wallah wallah” for a considerable time afterwards.

I returned to the main stage for Sunday’s headline act, Fun Lovin’ Criminals. Fronted by the incredibly cool Huey Morgan, they did not disappoint as they delivered UK Top 30 hits ‘Scooby Snacks’, ‘King of New York’ and ‘The Fun Lovin’ Criminal’. However, my day was made by an earlyDSC00796.JPG evening performance in the Champion Marquee.

Sixties’ actress and singer Anita Harris treated us to a variety of songs, including ‘Fly Me To The Moon’, ‘Memory’ and ‘All That Jazz’, plus a number of tales from her long showbiz career. For me, the highlight of the evening came when Anita told us how Dusty Springfield gifted her a song written by the late singer’s brother, Tom. That song was ‘Just Loving You’, a track I know word-for-word thanks to listening to my parents’ vinyl collection from a young age. I never thought I would one day get to see it performed live, so it was a very special moment for me, and one which proves how the diverse mix of music on offer at Looe Music Festival ensures there is more than something for everyone. I can’t wait to return next year.

 

 

 

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The Vinyl Word In Fashion

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My love of vinyl means I have sometimes held onto to records out of sentimentality, simply because I cannot bear to be parted from the shiny, black discs, even though they are far beyond ever being able to produce a coherent tune again. Scratched copies of Steve Walsh’s ‘I Found Lovin” and ‘Now Those Days Are Gone’ by Bucks Fizz nestle beside albums such as Ultravox’s ‘Quartet’, an LP I played so much in my early teens that the grooves wore down to almost nothing. Yet these prized possessions remain in their rightful place in the collection I have built up over the last 35 years.IMG_20151225_184213.jpg

Some have mustered up more strength than I have been able to, and put their old vinyl to good use. Artists, like those exhibiting at the Vinyl Resting Place on 16th September, use the records as a support for their artwork. This piece I have by the late Terry Sue-Patt beautifully illustrates how music can be come art in more than one way. For your chance to purchase some similarly fantastic vinyl art, head on down to Monty’s in London’s Brick Lane, from 6pm.

There are also a number of people creating clocks from their redundant vinyl collections, and then there is always the option of going completely retro, warming and shaping them into dishes and bowls. However, I recently came across a wonderfully innovative use for these precious pieces of plastic which I think is amazing.

Wendy Norris of Forever Vinyl uses albums (handbags), 7″singles  (purses and bags) and 12″ singles (clutch bags) to create an eye-catching range of original fashion accessories.Vinyl 1

The sumptuously padded interiors are lined with various fun and patterned fabrics, and some of the bags incorporate the record sleeve into the design.

Based on the Isle of Wight, Wendy had a stall at this year’s Jack Up The 80s festival on the island. Her bespoke creations were first brought to my attention by Kim Bailey, whose partner Russell Hastings was performing there with From The Jam. Kim had purchased a beautiful shoulder bag, fashioned from an Ella Fitzgerald album. Unfortunately, by the time I made my way to the stall the following day, those designs had sold out, but I shall be first in the queue next year!

Wendy regularly updates her stock and produces new styles. To find out more, take a look at the Forever Vinyl Facebook page.

 

I’d Rather Jack Up The 80s

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Some summers remain firmly fixed in our memories, as vivid as the days we experienced them. For me, my first teenage summer in 1984 was long, hot days spent soaking up the sun, set against a backdrop of some of the best music of the decade: Prince, Frankie Goes To Hollywood and my favourite track of the Eighties, The Kane Gang’s ‘Closest Thing To Heaven’. Ten years later, the music had taken a backseat and cooling shade had become my best friend, as I enjoyed my first summer with my baby daughter. Fast forward to 2016, when both my adult children had flown the nest, and I found myself travelling back three decades, listening to the music of my youth in glorious sunshine.

The reason for this fabulous blast from the past was the Jack Up The 80s festival on the Isle of Wight. Now in its fourth year, the event was held on 13th and 14th August. Set in beautiful countryside on the outskirts of Newchurch, it was blessed with fantastic weather as well as some outstanding performances.

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Fun in the sun at Jack Up The 80s

Strolling across the festival field when I arrived on Saturday, I was greeted by the sounds of local band High School Never Ends. The duo, who were also the opening act the next day, brought us some great rock classics from the likes of Billy Idol and Twisted Sister. Although I’m not too sure about their inclusion of Partners In Kryme’s ‘Turtle Power’!

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Ska’d For Life’s Charissa Bartram (Sax), Ben Bartram (trombone) & Russ Osman (trumpet)

From Rock to Ska, both days saw local band Ska’d For Life take to the stage next. Delivering all the favourites from the likes of The Specials and Madness, the band went down a storm with the crowd who, by the end of the set, were more than ready for what the rest of the day had to offer.

Saturday saw Light of The World kick off things for the 80’s acts. Dressed in sharp silver suits, reminiscent of my clubbing days, Nat Augustin and Gee Bello looked as good and smooth as they sounded.

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L-R: Nat Augustin, Gee Bello, Myles Kane, Jimmy Chambers & Jimmy Helms

The same can undoubtedly be said for Londonbeat, who were next in the running order. Dressed in brilliant white, the trio, led by the ever-youthful Jimmy Helms, delighted us with a pitch perfect acapella rendition of ‘9 A.M. (The Comfort Zone)’ ahead of a soulful and upbeat set, which included their 1990 No. 2 hit ‘I’ve Been Thinking About You’.

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Clark spies me behind the camera

A short break as instruments were set up on stage, and then we saw Johnny Hates Jazz make an appearance. A well-balanced mix of old and new, we heard 1987 hits ‘Turn Back The Clock’ and  ‘I Don’t Want To Be A Hero’ alongside contemporary tracks like the 2013 release ‘Magnetized’. I had interviewed lead singer Clark Datchler earlier in the day, but was nonetheless surprised when he spotted me taking photos at the front of the stage, during the band’s performance of  ‘Shattered Dreams’.

As the set drew to a close, I made my way over to Phil and Bruce, a couple of twenty-somethings I had interviewed earlier for The 80’s Annual, who were working on the Pizzeria van.

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Bruce (L), Phil (centre) and the Pizza boys

Returning with my takeaway food to the backstage tent, skillfully designed by Jo Monck in a Royal Wedding theme, I found it to be empty except for one other person. And that is how I came to be eating pizza on a sunny August afternoon, as Paul Young snoozed on the sofa behind me. I did toy with the idea of waking him, to inform him of the interesting fact that his birthday is the day after mine, but knowing what I am like when I’m tired thought it best to let sleeping singers lie!

The arrival of From The Jam and Leo Sayer on site soon saw the backstage buzz return, and it wasn’t long before we were presented with the opportunity to photograph three musical greats together.

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Bruce Foxton, Paul Young and Leo Sayer

To say that meeting Leo Sayer was a pleasure is an understatement. P1000179 (800x787)After this photo was taken, we spent some time discussing the writing talents of Billy Nicholls, who wrote the singer’s 1978 No. 6 hit single ‘I Can’t Stop Loving You’ and whom I had met the previous month, when he performed with old friends Slim Chance. Saturday’s headliner treated us to tracks from across four decades, including ‘One Man Band’, ‘More Than I Can Say’ and ‘You Make Me Feel Like Dancing’, and more than deserved his top billing. However, for me, it was the preceding two acts who ranked highest.

Rounding off the afternoon’s performances in style was Paul Young, who was joined by fellow Los Pacaminos member, guitarist Jamie Moses. Anyone who has witnessed them playing in the side project they founded in 1992, will be familiar with the camaraderie between the pair. As the singer launched into some of the hits from his solo career, including ‘Love of The Common People’, ‘Every Time You Go Away’ and ‘Wherever I Lay My Hat’ that friendship was never more evident. Perhaps more used to having underwear thrown at him during the Eighties, Paul looked somewhat bemused when a woolly hat landed at his feet. He placed the winter attire on the head of guitarist Dale Davis who, unable to remove the knitwear whilst playing, continued to wear it for a number of tracks, much to the amigos’ amusement.

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Dale Davis wears the woolly hat that put a smile on the faces of Paul Young and Jamie Moses

The hilarity reached even greater heights after a wardrobe malfunctionP1000308.JPG occurred during the performance of ‘I’m Gonna Tear Your Playhouse Down’. Sitting on the edge of the stage to deliver the second half of the song, the singer leaned back to put even more power behind the vocal. I think he must haveP1000313.JPG felt something snap at this point, because when Paul stood up, those of us close to the stage could see his belt had broken.

Anyone who was not aware of the situation was soon put fully in the picture, thanks to Jamie’s on stage antics, as shown in the video below. Ever the professional, Mr. Young left to make a swift costume change, returning sporting a new, shiny belt.

Clothing capers and band chemistry aside (although the latter is undeniably an integral feature that only serves to enhance the overall performance) this was an amazing set of classic Paul Young tracks, which all his fans in the audience (including me) will treasure. It was only surpassed, by the very tiniest of margins, by that of From The Jam.

Featuring a current line-up of Bruce Foxton, Russell Hastings, Mike Randon (drums) and Andy Fairclough (Hammond organ) the band went straighP1000557 (800x607)t in for the kill, opening with their 1982 chart topper ‘A Town Called Malice’. Hit after hit followed, including ‘David Watts’, ‘Going Underground’, ‘Beat Surrender’, ‘That’s Entertainment’, ‘Eton Rifles’ and an encore of ‘Down In The Tube Station At Midnight’. Totally mesmerised by the band playing just feet away from me, I remained in my photographic vantage point at the front of the stage throughout the whole performance.

Whilst there, I noticed a change in the chants emanating from behind me. Cries of “We love you, Paul” had beenP1000580 (738x800) replaced by gruff, one-word shouts of “Bruce” and “Russell”. Glancing over my shoulder, I took in the now predominantly male contingent stood at the barriers. This is what they had been waiting for all day long, and who could blame them?
Russell Hastings fronts the band in a way we would have thought inconceivable during the Eighties, spitting out lyrics with a force and passion of which Weller himself would be proud. Bruce Foxton retains his iconic status in my eyes, a genius bass player who twice performed his famous mid-air jumps during the set.

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One of the most animated drummers I have ever seen live, Mike Randon plays with a fervour better associated with musicians whose instruments afford them mobility around the stage, as was the case with Andy Fairclough. Watching him furiously strike the keys, it felt almost as if he was imprisoned by his keyboards, his frenetic playing his only chance of escape.

The whole effect was an explosive, exciting and capivating display of some of the best songs to come out of the Eighties. How would Sunday compare?

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Mike Randon, Andy Fairclough, Russell Hastings & Bruce Foxton after From The Jam’s set

The second day of the festival saw the 80’s artists begin with Nathan Moore who, inP1000744.JPG addition to singing the Brother Beyond tracks ‘The Harder I Try’ and ‘He Ain’t No Competition’ brought us The Gap Band’s ‘Oops Upside Your Head’. In no time, huge rows of festival-goers were sat on the ground,  floor-dancing to the Rowing Boat Song. A crowd pleaser if ever I saw one.

Next on stage was a man whose No. 3 single ‘My Favourite Waste of Time’ becameP1000861.JPG synonymous with the Summer of ’86. It is hard to believe that 30 years have passed since then, but as Owen sang the catchy track and the sun shone down, I was once again 15 years old.  The Glaswegian singer, who also performs alongside his brother, ex-Simple Minds drummer Brian McGee, in the band XSM included in his set ‘Don’t You Forget About Me’ and ‘The Living Years’, a song he perfected during his time spent with Mike and The Mechanics. He handed over a well warmed up audience to Phil Fearon.

The Galaxy frontman, who featured dance floor acrobatics in his 80’s appearances, may have put his backflips on hold but little else has changed in the past three decades.P1010009.JPG Looking considerably younger than his 60 years, Phil sported that 80’s favourite fashion combo of t-shirt and suit, as he delivered a feel good set of disco tracks such as ‘Everbody’s Laughing’, ‘I Can Prove It’ and ‘Dancing Tight’. He set the scene perfectly for Bizarre Inc. vocalist Angie Brown.

Accompanied by sons Cuba (11) and Charlie (8P1010047 (573x800)), the singing sensation showed she had lost none of her extensive vocal range over the years, as she powered out ‘I’m Gonna Get You’, watched proudly by her boys from behind the stage curtains. They gave no clue when I photographed them that minutes later they would be joining their mother for a rendition of Sister Sledge’s ‘We Are Family’. Performing obviously runs in their genes, and as the mini entertainers returned backstage, I remarked that it looked like they had enjoyed themselves, to which Cuba replied “Yes, that’s why I do it for no charge.” A star in the making, surely. A little while later, Charlie, who has to be the most eloquent 8-year-old I have ever encountered, engaged me in conversation. Flitting between topics such as his ambition to be an Olympic gymnast or a dancer, and favourite annual events (he argued a very convincing case for Hallowe’en), I was only reminded of his young age when he burst into a fit of giggles, upon hearing Denise Pearson working through her vocal exercises at the far end of the tent.

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Stars in the making: Angie Brown’s sons Cuba (left) and Charlie

Five Star were due on stage after tribute band Abba Chique. While the faux Swedish singers performed, I chatted with more of the colourful crowd. From families to groups of friends, forty-somethings and older to my kids’ generation and younger, everyone was brimming with praise for the festival. Whether it was the provision of children’s lunch boxes, reasonably priced catering or simply “bloody good music”, the general consensus was a big thumbs up for Jack Up The 80s. I have to say, I agree.

As with any retro festival, the weekend also presented us with more than a smattering of neon and a plethora of fancy dress. I spoke to Mr. T. a.k.a. Michael Bending from Northampton. The 46-year-old has appeared at Jack Up The 80s dressed as The A-Team’s B. A. Baracus for the past four years. At least he never had to get on no plane for the 300 mile round trip!

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Some of the outfits worn by Jack Up The 80s festival-goers

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Buster Bloodvessel with his copy of ‘Your Eighties’

Returning to the backstage area, I discovered that Bad Manners had recently arrived. Having greeted the band, I gave Buster Bloodvessel a copy of my book ‘Your Eighties’, for which I had interviewed him almost two years ago. Much to the group’s amusement, I then made the mistake of asking “Can I have a photo of you holding it?” Naming no names, but a certain saxophonist has a particularly smutty mind!

Leaving the boys to enjoy their backstage banter, I returned to the front of the stage to await Five Star, who were minus Doris that day. In her place was Kerry, who sang and danced with the same highly polished quality we have come to associate with the Pearson siblings.

Opening with their 1986 Top 10 single ‘Can’t Wait Another Minute’ and finishing with their biggest hit ‘Rain or Shine’, the quartet also featured a number of superb cover versions in their set, such as Whitney Houston’s ‘I Wanna Dance With Somebody’, The Jackson 5’s ‘I Want You Back’ and Mark Ronson’s ‘Uptown Funk’.

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Feeling the love at Jack Up The 80s: Five Star’s Stedman, Delroy and Denise Pearson

Looking every bit as good as they sounded, and executing each dance routine in complete synchronicity, it was apparent that their dedication to achieving entertainment perfection was equal to their dedication to each other.

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Bad Manners drummer Mark Hamilton

Minutes after Five Star left the stage, drummer Mark Hamilton was warming up backstage ahead of his performance with Bad Manners. Ripples of anticipation spread amongst the crowd as Ska fans made their way forwards, eagerly awaiting Sunday’s headliners.

Before you could say “Lip Up Fatty”, the band bounded on stage and the party started. Buster saluted the audience with his pint of lager before transporting them back to the early Eighties with tracks like ‘Special Brew’, ‘Walking In The Sunshine’ and ‘Fatty Fatty’, alongside later material such as the 1992 release ‘Feel Like Jumping’. And jump they did.Bad Manners.jpg

Like a bunch of tequila-fuelled schoolboys, the band bounced, ran and laughed their way through the final show of the weekend, and we loved them for it. Watching the crowd, arms aloft, singing and dancing along, with the biggest of grins on their faces, I could think of no better choice of act to finish this nostalgia-fest. More than the skilled musicianship, which these guys have in heaps, this was about fun with a capital ‘F’.Bad Manners 2.jpg

That evening, I left the festival field feeling years younger, having gained some very special memories, not to mention some special friends. What better motivation for you all to descend on Isle of Wight next August, for Jack Up The 80s Volume 5? I’ll see you there.

 

 

Rock ‘n’ Rain

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Late Saturday morning saw me doing my best Girl Guide impression as, fully prepared for what the elements might throw at us, I trekked across fields, laden with everything I might need for the day. Okay, so the fields were Sandwell Country Park in West Bromwich, and my ‘load’ was a festival chair, umbrella, waterproof jacket and several layers of clothing, but as a fairweather festival-goer, and with rain forecast  throughout the day, this was me out of my comfort zone.

I was undeterred by the prospect of a downpour, as the main reason I had chosen Let’s Rock Birmingham as my first festival of the year, was the opportunity to see Tiffany live, and she didn’t disappoint. Hearing her sing live was worth getting a soaking. Besides which, the sporadic showers meant my normally straightened hair reverted to its natural curly/frizzy state. I achieved an authentic Eighties look without even trying!

From the moment Tiffany came on stage, singing the chart-topping “I Think We’re Alone Now”, she gave a first class performance. Including “Right Here” from her new album “A Million Miles”, and a superb rendition of “Sweet Child of Mine” in her set, my personal favourite was “Could’ve Been”, a beautiful track I’ve loved since its release in ’88. Standing a few feet away from the singer, as Ms Darwish delivered the song note perfect, was one of the day’s highlights for me.

I say one because, with so many fantastic acts performing, it was an impossible task to choose an outright favourite. Jimmy Somerville was outstanding; Five Star gave a flawless, polished song and dance set. Go West’s Peter Cox was gorgeous and gravelly-voiced, as always; Martin Fry stylish and classy, treating us to ABC’s 80’s hits, as well as “Viva Love” from the “Lexicon of Love II” album. Dr & The Medics kicked the day off to a great start, and had the crowd singing along and dancing within seconds of playing; Holly Johnson provided a fabulous finale, performing Frankie Goes To Hollywood classics and solo tracks, including this year’s earlier release “Ascension”. As I said, impossible to choose.

If you were there, let me know what you thought about the day’s performances. Likewise to those of you attending any of this summer’s forthcoming retro festivals. Looking forward to hearing from you…

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Back To Boomtown With A Bang

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As I write this, I am listening to The Boomtown Rats’ self-titled first, and in my opinion their best, album. Although it was released in 1977, I bought my copy in 1982 (aged 11) around the time that Mr. Geldof and a certain presenter of The Tube moved to my home town. As Bob and Paula became familiar faces around town, The Rats’ music became a firm favourite in my vinyl collection, with “A Tonic For The Troops” (released in 1978) soon coming a very close second to my favourite Rats’ album.

Despite living within swearing distance of the Irish punk rocker, I had never seen him perform live. Until this weekend. I had booked my tickets for Rewind South before the line up had been announced. With more than twenty acts from the Eighties performing, I knew I would have a great time regardless of who would be appearing. You have no idea of the sheer delight I felt when I discovered The Rats would be playing. I had waited over thirty years for this!

I made my way through the crowds in plenty of time to secure a place a couple of rows back from the stage, where, in spite of my lack of height (I’m 5′ 1″) I had a great view. As Bob and the rest of the band (Pete Briquette on bass, Garry Roberts on guitar, and Simon Crowe on drums) took to the stage, I had a moment of doubt as to what they would play. Their best music, and indeed their hits, had all been in the Seventies. There was no brass section, so it was unlikely they would play the rather brilliant “Drag Me Down”, from their 1984 album “In The Long Grass”. I needn’t have worried.

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Alongside crowd-pleasers like “Someone’s Looking At You” and “Rat Trap”, early Rats’ tracks such as “Lookin’ After No. 1”, “She’s So Modern” and “Like Clockwork” were performed with an energy and fervour evocative of the band’s punk roots. When Bob sang “Mary Of The 4th Form”, he was again the angry young front man, not somebody’s granddad. However, no one was in any doubt of his status as a family man, during his performance of “I Don’t Like Mondays”. His pensive pause, following his delivery of the line “And the lesson today is how to die” was heartbreakingly emotional. Shouts of “We love you, Bob” soon erupted from the crowd, a display of support en masse. I wasn’t the only one to shed a tear then.

As proceedings were brought to a close with the recently penned “The Boomtown Rats”, I was both elated, that the performance had by far exceeded my expectations, but sad too that it was coming to an end. It had been wishful thinking that my favourite track, “I Can Make It If You Can”, would be performed. Admittedly, it is better suited to being played in some dark, smoky bar than on a sunny stage in Henley-on-Thames, but I would have still been swaying with my arms in the air! Similarly, I had hoped they would play “I Never Loved Eva Braun” – in fact The Rats’ first two albums in their entirety would have been great. As it was, I loved every single minute of the performance, and will be booking tickets to another of their gigs soon. I can’t wait to go back to Boomtown again.