Ladies That Launch

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Tomorrow sees the launch of the third and final book in my trilogy on 80’s popular culture, More Eighties. Available in paperback or kindle version, the book exCover imageplores how the decade provided a backdrop against which creativity and individuality flourished, the social and political factors which shaped the music of a generation, the changing role and influence of record companies, and why the era remains a golden age for so many of us.

Reflecting the diversity of the UK charts during that time, More Eighties offers recollections, insights and observations from those at the forefront of British music during the most exciting, transitional period in its history, and features interviews with David Ball (Soft Cell), Martyn Ware (Heaven 17), Dave Wakeling (The Beat), Pauline Black (The Selecter), Eddi Reader (Fairground Attraction) Rusty Egan (Visage), Jona Lewie, Suzi Quatro, Junior Giscombe, Ian Donaldson (H2O), Karel Fialka, Andy Kyriacou (Modern Romance) and Nathan Moore (Brother Beyond), along with a foreword and commentary by Peter Coyle, former lead singer of the Lotus Eaters, songwriter, and the man responsible for introducing karaoke to the city of Liverpool, completing the eclectic mix. Having recently received and read his copy, Peter remarked that More Eighties “is a gem of a book”. I hope you will think so too.

To mark the book’s release, I will be having a celebratory ‘launch lunch’ tomorrow with friends, whose support has been invaluable during the writing of More Eighties, followed by more radio interviews later in the week. Details and photos to follow on social media.

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A Heavenly Exclusive!

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Last Thursday, I had the pleasure of interviewing Martyn Ware. With an extensive and impressive career in music, from his early work in The Human League to creating soundscapes via Illustrious, a company he formed with Vince Clarke in 2001, Martyn knows a thing or two about what makes good music. Now, while you will have to wait until April, when More Eighties is published, to discover what it was like for him working with Tina Turner and why he is now warming to Stock, Aitken and Waterman’s output in the Eighties (yep, you really did just read that!), I can reveal a little ‘exclusive’ which came up during our chat.

I had asked the BEF founder member about his inspiration for pushing musical boundaries and continuing to innovate. He told me “We’ve created a new track with Heaven 17, which nobody’s heard yet, which will be coming out soon, called ‘Clouds Or Mountains’. Where we’ve been experimenting with Heaven 17, it sounds amazing. With Glenn Gregory’s voice, it sounds like Scott Walker. That’s an exclusive.” h17

I ask if that have a release date yet.

“No, we’ve got to discuss it. We’ve got a special deal going with Bowers & Wilkins. They’ve got this thing called Society of Sound, where they release high definition audio. They’ve got this subscription thing where you subscribe and every month they send you an album digitally, in the highest possible format. It’s downloadable for a month and then that’s it, it’s gone. This is going to be their February one. It’s like a work in progress version of the new album, so it includes all the existing singles. It’ll be on their service for a month and then it’s gone, until we release the album.”

The concept of providing a limited availability teaser for fans is one which appeals to Martyn, as a remedy to the constant influx of music which now prevails.

“There’s no wait nowadays. You can stream everything everywhere. I read today that Prince’s entire output is going to be available on all the streaming services from February 16th. That’s like about a hundred hours of stuff. It’s just ridiculous.”

However, there’s nothing ridiculous about wanting to hear the latest Heaven 17 material. Society of Sound, here I come!

 

Everything You Can Imagine Is Real

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Imagine a world where the works and words of Picasso are brought to life through music, performance, dance and poetry, against a backdrop of art representing some of the most recognisable faces in British history. That is exactly what happened last Friday evening at London’s National Portrait Gallery. In a scene reminiscent of the film Night At The Museum, where the past is brought to life in full technicolour and stereo, historical heritage played host to the Picasso-inspired Everything You Can Imagine Is Real. Curated and produced by Martyn Ware for Illustrious, the late shift event drew in an vast and diverse crowd, as eclectic as those performing.

Whilst I did manage to catch some of the other 28 acts from the packed programme, such as brilliantly astute poet Luke Wright, I was there for Peter Coyle’s performance at the end of IMG_20170121_005214.jpgthe evening. Those of you who read last week’s blog will know that Peter’s next single, to be released on 3rd February, uses one of my poems as its lyrics. I have been privileged to hear both the first recording and the final master of that track, so I know how beautiful and pure Peter’s voice sounds even when it has been untampered. I couldn’t wait to hear him perform live the songs he had written to incorporate Picasso’s poetry. I wasn’t alone.

An impressive bunch of 80’s artists had gathered for the former Lotus Eaters’ contribution to the evening, including Brian Nash (Frankie Goes To Hollywood), David Ball (Soft Cell) and Nick Van Eede (Cutting Crew). A short time into Peter’s performance, I saw him glance over and smile at the person who had just stood come and next to me, Holly Johnson.

I don’t know if I can do justice in describing not only what I heard but saw, as an exquisitely delightful interpretation of the work of one of Spain’s greatest exports was delivered by one of Liverpool’s finest. Sublime. Immersive. Emotive. All of the above, yet so much more.

At some point in the future, I believe footage from Peter’s performance will be available via his website. In the meantime, here is a recording I took of him during soundcheck earlier in the day. Enjoy…

 

Romancing The Eighties

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A defining period in Eighties’ music, the emergence of the New Romantics saw the visual vying for attention with what we were hearing. Arguably, more than at any other time before or since, image, style and fashion became an integral expression of creativity for artists and fans alike.

I was still at prsteve-strangeimary school when Adam Ant and Boy George entranced me with their glamorous outfits and perfect make-up. The fact that I loved their music too seemed almost incidental. Fascinated and inspired by them and the Blitz Kids, over whose pictures I would pore for hours, I first attempted emulating them when I was 11. During the summer holidays, between finishing primary and starting secondary school, I used a ‘Wash-In, Wash-Out’ plum hair colour, which lasted considerably longer than the name suggested. I was hooked! It was at least a decade before my hair returned to its natural colour, as I worked my way through every shade the shelves in Boots had to offer. Not to mention a few ‘unique’ hues too, the result of changing my mind and my hair colour too often.

My hair was short during the early Eighties, an homage to the Human League girls. Unfortunately, due to my natural curls, I tended to look more like Depeche Mode’s Martin Gore than Susanne Sulley. I may not have perfected  her look, or any of the other stars I saw on TV or in magazines, but I had great fun trying. Which is why I am thrilled to have been included in the following Trailblazers episode. Featuring commentary by Rusty Egan, Jeremy Healy, Princess Julia and Marilyn, the programme gives an insight into the New Romantic scene from those who were at the heart it. Enjoy.