A Heavenly Exclusive!

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Last Thursday, I had the pleasure of interviewing Martyn Ware. With an extensive and impressive career in music, from his early work in The Human League to creating soundscapes via Illustrious, a company he formed with Vince Clarke in 2001, Martyn knows a thing or two about what makes good music. Now, while you will have to wait until April, when More Eighties is published, to discover what it was like for him working with Tina Turner and why he is now warming to Stock, Aitken and Waterman’s output in the Eighties (yep, you really did just read that!), I can reveal a little ‘exclusive’ which came up during our chat.

I had asked the BEF founder member about his inspiration for pushing musical boundaries and continuing to innovate. He told me “We’ve created a new track with Heaven 17, which nobody’s heard yet, which will be coming out soon, called ‘Clouds Or Mountains’. Where we’ve been experimenting with Heaven 17, it sounds amazing. With Glenn Gregory’s voice, it sounds like Scott Walker. That’s an exclusive.” h17

I ask if that have a release date yet.

“No, we’ve got to discuss it. We’ve got a special deal going with Bowers & Wilkins. They’ve got this thing called Society of Sound, where they release high definition audio. They’ve got this subscription thing where you subscribe and every month they send you an album digitally, in the highest possible format. It’s downloadable for a month and then that’s it, it’s gone. This is going to be their February one. It’s like a work in progress version of the new album, so it includes all the existing singles. It’ll be on their service for a month and then it’s gone, until we release the album.”

The concept of providing a limited availability teaser for fans is one which appeals to Martyn, as a remedy to the constant influx of music which now prevails.

“There’s no wait nowadays. You can stream everything everywhere. I read today that Prince’s entire output is going to be available on all the streaming services from February 16th. That’s like about a hundred hours of stuff. It’s just ridiculous.”

However, there’s nothing ridiculous about wanting to hear the latest Heaven 17 material. Society of Sound, here I come!

 

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Everything You Can Imagine Is Real

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Imagine a world where the works and words of Picasso are brought to life through music, performance, dance and poetry, against a backdrop of art representing some of the most recognisable faces in British history. That is exactly what happened last Friday evening at London’s National Portrait Gallery. In a scene reminiscent of the film Night At The Museum, where the past is brought to life in full technicolour and stereo, historical heritage played host to the Picasso-inspired Everything You Can Imagine Is Real. Curated and produced by Martyn Ware for Illustrious, the late shift event drew in an vast and diverse crowd, as eclectic as those performing.

Whilst I did manage to catch some of the other 28 acts from the packed programme, such as brilliantly astute poet Luke Wright, I was there for Peter Coyle’s performance at the end of IMG_20170121_005214.jpgthe evening. Those of you who read last week’s blog will know that Peter’s next single, to be released on 3rd February, uses one of my poems as its lyrics. I have been privileged to hear both the first recording and the final master of that track, so I know how beautiful and pure Peter’s voice sounds even when it has been untampered. I couldn’t wait to hear him perform live the songs he had written to incorporate Picasso’s poetry. I wasn’t alone.

An impressive bunch of 80’s artists had gathered for the former Lotus Eaters’ contribution to the evening, including Brian Nash (Frankie Goes To Hollywood), David Ball (Soft Cell) and Nick Van Eede (Cutting Crew). A short time into Peter’s performance, I saw him glance over and smile at the person who had just stood come and next to me, Holly Johnson.

I don’t know if I can do justice in describing not only what I heard but saw, as an exquisitely delightful interpretation of the work of one of Spain’s greatest exports was delivered by one of Liverpool’s finest. Sublime. Immersive. Emotive. All of the above, yet so much more.

At some point in the future, I believe footage from Peter’s performance will be available via his website. In the meantime, here is a recording I took of him during soundcheck earlier in the day. Enjoy…