We’re getting ready for Owen & the 80s in Herne Bay

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Last night I announced on My 80s Radio Show the lucky winners of tickets to see Owen Paul this Saturday (5th May) in Herne Bay. They are: Tony Dalli, Beverley Poole, Sheryl Pratt, Phillip Robinson and Timm Rutland.

Big thanks to all those who entered the giveaway. Tickets can still be purchased for the event directly from the King’s Hall. I will be there to see My Favourite Waste of Time so if you are coming along to the gig, do come and say ‘Hi’ to me. You never know, I might even be taking requests to play on My 80s!

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Free Tickets for 80’s Night with Owen Paul

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Get ready for some 80’s fun in Herne Bay! The My 80s radio show has got 5 pairs of tickets to see Owen Paul at King’s Hall to give away. Simply like and share this Facebook post or like and retweet this Twitter post to be in with a chance of winning. For those 80’s fans who don’t use social media, just drop me a line using the contact form on my website.

Closing date for entries is midnight on Friday 20th April. Winners will be notified shortly afterwards and also announced on My 80s on Sunday 29th April. Good luck!

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Over To You

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It has been a while since my last blog post as I have been kept busy with the My 80s radio show for Mad Wasp Radio. Following the popularity of the Christmas show’s Favourite Five, which was chosen by a listener, it was recently decided that more listeners should have the opportunity of sharing their choices. Therefore, starting this month, the Favourite Five in the last show of every month will be selected by a listener.

If you would like to share your Favourite Five 80’s tracks, and chat about them on air, just let me know what you think was the worst thing about the Eighties. It can be anything … fashion, music, TV, a world event … you decide, and let me know via Facebook, on Twitter or my website. Each month I will choose a listener to come on My 80s and talk about their Favourite Five and, of course, play the tracks on the show.

The only criteria for the songs you choose is that they must have been released during the Eighties, but they do no have to be Top 40 hits, and they can be album tracks. The rules may be simple but choosing the tracks is another matter. I know this from personal experience because this week I am choosing my Favourite Five.13920203_10209209306741332_983234055485719783_o

This Sunday’s show airs two days before my birthday, so I thought I would treat listeners to my my five all time favourite songs from the decade. I never knew what an agonising, decision-making task it would be! Joining me on this week’s show, and turning the tables on me by interviewing me, is Owen Paul. So, to hear not only my top tunes but Owen Paul in the DJ seat, listen in from 7pm on Sunday.

Speak soon!

 

The My 80s Archives

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The Favourite Five feature on the My 80s radio show, in which my special guests choose their five favourite songs from the Eighties, is proving popular with listeners. All My 80s shows are uploaded to Mixcloud, but just to make things a little bit easier when searching for a particular show, I’ve listed the shows by guest below. Happy listening!

Nik Kershaw

David Ball – Soft Cell

Mari Wilson

Brian ‘Nasher’ Nash – Frankie Goes To Hollywood

Peter Coyle – The Lotus Eaters

Clark Datchler – Johnny Hates Jazz

Nick van Eede – Cutting Crew

Junior Giscombe

Leee John – Imagination

Dennis Seaton – Musical Youth

Ian Donaldson – H2O

Bobby McVay – The Fizz

Tracie Young

Andy Kyriacou – Modern Romance

David Brewis – The Kane Gang

Clive Jackson – Doctor & The Medics

Eddie Roxy – Department S

Owen Paul interviewing me

Erkan Mustafa – Grange Hill

Paula Ann Bland – Grange Hill

Andy O – Blue Zoo

Helen McCookerybook – The Chefs

Steve Blacknell

Gnasher – Street artist & muralist

Jamie Days – Author

Alan Read – My 80s quiz master

John Bowen & Wayne Lee – 80’s Smash Hits penpals

Listeners: Tanya Raftery

 

 

 

 

The Only Way Is Nub

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Tonight sees the launch of Nub TV, an hour long show “aimed at the 40 plus audience who are being starved of the music they love”. Hosted by TV veteran Steve Blacknell, it airs at 10pm on Sky 212, Freesat 161, Freeview 254 and globally online at Showcase TV. Joining Steve in the Millbank studios over the next few weeks will be an array of familiar faces from the Seventies and Eighties, including Joan Armatrading,  Leee John, Rick Buckler and the first show’s special guests John Otway and John Altman. Add to that the lovably eccentric house band The Pocket Gods, a selection of the latest video releases and a small but perfectly formed studio audience, and you have the ideal way to round off your weekend’s television viewing.

I was invited to appear as a guest on the programme, alongside Eighties’ favourites Owen Paul and Junior Giscombe. Our show, which airs on 27th November, was fantastic fun to record as you can see from the photos below. Knowing the music, chat and laughs that are in our show, I can’t wait to see tonight’s debut broadcast.

Photos: cjansenphotography.com

 

 

 

 

Launch Time

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A London launch party at the Vinyl Bar, hosted by TV presenter Steve Blacknell, celebrated the release of The 80’s Annual on 1st November. Guests including Jona Lewie, John Otway, Owen Paul, Modern Romance’s Andy Kyriacou and Department S joined me in an evening of nostalgia, as features from the annual were shared against a backdrop of some of the decade’s best music videos.

Huge thanks to everyone who came to the event and made it such a success.

 

Buy your copy of The 80’s Annual from the Book Depository, Amazon, Waterstones and independent book stores.

I’d Rather Jack Up The 80s

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Some summers remain firmly fixed in our memories, as vivid as the days we experienced them. For me, my first teenage summer in 1984 was long, hot days spent soaking up the sun, set against a backdrop of some of the best music of the decade: Prince, Frankie Goes To Hollywood and my favourite track of the Eighties, The Kane Gang’s ‘Closest Thing To Heaven’. Ten years later, the music had taken a backseat and cooling shade had become my best friend, as I enjoyed my first summer with my baby daughter. Fast forward to 2016, when both my adult children had flown the nest, and I found myself travelling back three decades, listening to the music of my youth in glorious sunshine.

The reason for this fabulous blast from the past was the Jack Up The 80s festival on the Isle of Wight. Now in its fourth year, the event was held on 13th and 14th August. Set in beautiful countryside on the outskirts of Newchurch, it was blessed with fantastic weather as well as some outstanding performances.

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Fun in the sun at Jack Up The 80s

Strolling across the festival field when I arrived on Saturday, I was greeted by the sounds of local band High School Never Ends. The duo, who were also the opening act the next day, brought us some great rock classics from the likes of Billy Idol and Twisted Sister. Although I’m not too sure about their inclusion of Partners In Kryme’s ‘Turtle Power’!

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Ska’d For Life’s Charissa Bartram (Sax), Ben Bartram (trombone) & Russ Osman (trumpet)

From Rock to Ska, both days saw local band Ska’d For Life take to the stage next. Delivering all the favourites from the likes of The Specials and Madness, the band went down a storm with the crowd who, by the end of the set, were more than ready for what the rest of the day had to offer.

Saturday saw Light of The World kick off things for the 80’s acts. Dressed in sharp silver suits, reminiscent of my clubbing days, Nat Augustin and Gee Bello looked as good and smooth as they sounded.

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L-R: Nat Augustin, Gee Bello, Myles Kane, Jimmy Chambers & Jimmy Helms

The same can undoubtedly be said for Londonbeat, who were next in the running order. Dressed in brilliant white, the trio, led by the ever-youthful Jimmy Helms, delighted us with a pitch perfect acapella rendition of ‘9 A.M. (The Comfort Zone)’ ahead of a soulful and upbeat set, which included their 1990 No. 2 hit ‘I’ve Been Thinking About You’.

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Clark spies me behind the camera

A short break as instruments were set up on stage, and then we saw Johnny Hates Jazz make an appearance. A well-balanced mix of old and new, we heard 1987 hits ‘Turn Back The Clock’ and  ‘I Don’t Want To Be A Hero’ alongside contemporary tracks like the 2013 release ‘Magnetized’. I had interviewed lead singer Clark Datchler earlier in the day, but was nonetheless surprised when he spotted me taking photos at the front of the stage, during the band’s performance of  ‘Shattered Dreams’.

As the set drew to a close, I made my way over to Phil and Bruce, a couple of twenty-somethings I had interviewed earlier for The 80’s Annual, who were working on the Pizzeria van.

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Bruce (L), Phil (centre) and the Pizza boys

Returning with my takeaway food to the backstage tent, skillfully designed by Jo Monck in a Royal Wedding theme, I found it to be empty except for one other person. And that is how I came to be eating pizza on a sunny August afternoon, as Paul Young snoozed on the sofa behind me. I did toy with the idea of waking him, to inform him of the interesting fact that his birthday is the day after mine, but knowing what I am like when I’m tired thought it best to let sleeping singers lie!

The arrival of From The Jam and Leo Sayer on site soon saw the backstage buzz return, and it wasn’t long before we were presented with the opportunity to photograph three musical greats together.

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Bruce Foxton, Paul Young and Leo Sayer

To say that meeting Leo Sayer was a pleasure is an understatement. P1000179 (800x787)After this photo was taken, we spent some time discussing the writing talents of Billy Nicholls, who wrote the singer’s 1978 No. 6 hit single ‘I Can’t Stop Loving You’ and whom I had met the previous month, when he performed with old friends Slim Chance. Saturday’s headliner treated us to tracks from across four decades, including ‘One Man Band’, ‘More Than I Can Say’ and ‘You Make Me Feel Like Dancing’, and more than deserved his top billing. However, for me, it was the preceding two acts who ranked highest.

Rounding off the afternoon’s performances in style was Paul Young, who was joined by fellow Los Pacaminos member, guitarist Jamie Moses. Anyone who has witnessed them playing in the side project they founded in 1992, will be familiar with the camaraderie between the pair. As the singer launched into some of the hits from his solo career, including ‘Love of The Common People’, ‘Every Time You Go Away’ and ‘Wherever I Lay My Hat’ that friendship was never more evident. Perhaps more used to having underwear thrown at him during the Eighties, Paul looked somewhat bemused when a woolly hat landed at his feet. He placed the winter attire on the head of guitarist Dale Davis who, unable to remove the knitwear whilst playing, continued to wear it for a number of tracks, much to the amigos’ amusement.

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Dale Davis wears the woolly hat that put a smile on the faces of Paul Young and Jamie Moses

The hilarity reached even greater heights after a wardrobe malfunctionP1000308.JPG occurred during the performance of ‘I’m Gonna Tear Your Playhouse Down’. Sitting on the edge of the stage to deliver the second half of the song, the singer leaned back to put even more power behind the vocal. I think he must haveP1000313.JPG felt something snap at this point, because when Paul stood up, those of us close to the stage could see his belt had broken.

Anyone who was not aware of the situation was soon put fully in the picture, thanks to Jamie’s on stage antics, as shown in the video below. Ever the professional, Mr. Young left to make a swift costume change, returning sporting a new, shiny belt.

Clothing capers and band chemistry aside (although the latter is undeniably an integral feature that only serves to enhance the overall performance) this was an amazing set of classic Paul Young tracks, which all his fans in the audience (including me) will treasure. It was only surpassed, by the very tiniest of margins, by that of From The Jam.

Featuring a current line-up of Bruce Foxton, Russell Hastings, Mike Randon (drums) and Andy Fairclough (Hammond organ) the band went straighP1000557 (800x607)t in for the kill, opening with their 1982 chart topper ‘A Town Called Malice’. Hit after hit followed, including ‘David Watts’, ‘Going Underground’, ‘Beat Surrender’, ‘That’s Entertainment’, ‘Eton Rifles’ and an encore of ‘Down In The Tube Station At Midnight’. Totally mesmerised by the band playing just feet away from me, I remained in my photographic vantage point at the front of the stage throughout the whole performance.

Whilst there, I noticed a change in the chants emanating from behind me. Cries of “We love you, Paul” had beenP1000580 (738x800) replaced by gruff, one-word shouts of “Bruce” and “Russell”. Glancing over my shoulder, I took in the now predominantly male contingent stood at the barriers. This is what they had been waiting for all day long, and who could blame them?
Russell Hastings fronts the band in a way we would have thought inconceivable during the Eighties, spitting out lyrics with a force and passion of which Weller himself would be proud. Bruce Foxton retains his iconic status in my eyes, a genius bass player who twice performed his famous mid-air jumps during the set.

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One of the most animated drummers I have ever seen live, Mike Randon plays with a fervour better associated with musicians whose instruments afford them mobility around the stage, as was the case with Andy Fairclough. Watching him furiously strike the keys, it felt almost as if he was imprisoned by his keyboards, his frenetic playing his only chance of escape.

The whole effect was an explosive, exciting and capivating display of some of the best songs to come out of the Eighties. How would Sunday compare?

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Mike Randon, Andy Fairclough, Russell Hastings & Bruce Foxton after From The Jam’s set

The second day of the festival saw the 80’s artists begin with Nathan Moore who, inP1000744.JPG addition to singing the Brother Beyond tracks ‘The Harder I Try’ and ‘He Ain’t No Competition’ brought us The Gap Band’s ‘Oops Upside Your Head’. In no time, huge rows of festival-goers were sat on the ground,  floor-dancing to the Rowing Boat Song. A crowd pleaser if ever I saw one.

Next on stage was a man whose No. 3 single ‘My Favourite Waste of Time’ becameP1000861.JPG synonymous with the Summer of ’86. It is hard to believe that 30 years have passed since then, but as Owen sang the catchy track and the sun shone down, I was once again 15 years old.  The Glaswegian singer, who also performs alongside his brother, ex-Simple Minds drummer Brian McGee, in the band XSM included in his set ‘Don’t You Forget About Me’ and ‘The Living Years’, a song he perfected during his time spent with Mike and The Mechanics. He handed over a well warmed up audience to Phil Fearon.

The Galaxy frontman, who featured dance floor acrobatics in his 80’s appearances, may have put his backflips on hold but little else has changed in the past three decades.P1010009.JPG Looking considerably younger than his 60 years, Phil sported that 80’s favourite fashion combo of t-shirt and suit, as he delivered a feel good set of disco tracks such as ‘Everbody’s Laughing’, ‘I Can Prove It’ and ‘Dancing Tight’. He set the scene perfectly for Bizarre Inc. vocalist Angie Brown.

Accompanied by sons Cuba (11) and Charlie (8P1010047 (573x800)), the singing sensation showed she had lost none of her extensive vocal range over the years, as she powered out ‘I’m Gonna Get You’, watched proudly by her boys from behind the stage curtains. They gave no clue when I photographed them that minutes later they would be joining their mother for a rendition of Sister Sledge’s ‘We Are Family’. Performing obviously runs in their genes, and as the mini entertainers returned backstage, I remarked that it looked like they had enjoyed themselves, to which Cuba replied “Yes, that’s why I do it for no charge.” A star in the making, surely. A little while later, Charlie, who has to be the most eloquent 8-year-old I have ever encountered, engaged me in conversation. Flitting between topics such as his ambition to be an Olympic gymnast or a dancer, and favourite annual events (he argued a very convincing case for Hallowe’en), I was only reminded of his young age when he burst into a fit of giggles, upon hearing Denise Pearson working through her vocal exercises at the far end of the tent.

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Stars in the making: Angie Brown’s sons Cuba (left) and Charlie

Five Star were due on stage after tribute band Abba Chique. While the faux Swedish singers performed, I chatted with more of the colourful crowd. From families to groups of friends, forty-somethings and older to my kids’ generation and younger, everyone was brimming with praise for the festival. Whether it was the provision of children’s lunch boxes, reasonably priced catering or simply “bloody good music”, the general consensus was a big thumbs up for Jack Up The 80s. I have to say, I agree.

As with any retro festival, the weekend also presented us with more than a smattering of neon and a plethora of fancy dress. I spoke to Mr. T. a.k.a. Michael Bending from Northampton. The 46-year-old has appeared at Jack Up The 80s dressed as The A-Team’s B. A. Baracus for the past four years. At least he never had to get on no plane for the 300 mile round trip!

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Some of the outfits worn by Jack Up The 80s festival-goers

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Buster Bloodvessel with his copy of ‘Your Eighties’

Returning to the backstage area, I discovered that Bad Manners had recently arrived. Having greeted the band, I gave Buster Bloodvessel a copy of my book ‘Your Eighties’, for which I had interviewed him almost two years ago. Much to the group’s amusement, I then made the mistake of asking “Can I have a photo of you holding it?” Naming no names, but a certain saxophonist has a particularly smutty mind!

Leaving the boys to enjoy their backstage banter, I returned to the front of the stage to await Five Star, who were minus Doris that day. In her place was Kerry, who sang and danced with the same highly polished quality we have come to associate with the Pearson siblings.

Opening with their 1986 Top 10 single ‘Can’t Wait Another Minute’ and finishing with their biggest hit ‘Rain or Shine’, the quartet also featured a number of superb cover versions in their set, such as Whitney Houston’s ‘I Wanna Dance With Somebody’, The Jackson 5’s ‘I Want You Back’ and Mark Ronson’s ‘Uptown Funk’.

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Feeling the love at Jack Up The 80s: Five Star’s Stedman, Delroy and Denise Pearson

Looking every bit as good as they sounded, and executing each dance routine in complete synchronicity, it was apparent that their dedication to achieving entertainment perfection was equal to their dedication to each other.

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Bad Manners drummer Mark Hamilton

Minutes after Five Star left the stage, drummer Mark Hamilton was warming up backstage ahead of his performance with Bad Manners. Ripples of anticipation spread amongst the crowd as Ska fans made their way forwards, eagerly awaiting Sunday’s headliners.

Before you could say “Lip Up Fatty”, the band bounded on stage and the party started. Buster saluted the audience with his pint of lager before transporting them back to the early Eighties with tracks like ‘Special Brew’, ‘Walking In The Sunshine’ and ‘Fatty Fatty’, alongside later material such as the 1992 release ‘Feel Like Jumping’. And jump they did.Bad Manners.jpg

Like a bunch of tequila-fuelled schoolboys, the band bounced, ran and laughed their way through the final show of the weekend, and we loved them for it. Watching the crowd, arms aloft, singing and dancing along, with the biggest of grins on their faces, I could think of no better choice of act to finish this nostalgia-fest. More than the skilled musicianship, which these guys have in heaps, this was about fun with a capital ‘F’.Bad Manners 2.jpg

That evening, I left the festival field feeling years younger, having gained some very special memories, not to mention some special friends. What better motivation for you all to descend on Isle of Wight next August, for Jack Up The 80s Volume 5? I’ll see you there.