Cover Reveal!

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As we enter Autumn, I am delighted to reveal the cover for The 80s Annual vol. II. Designed by the incredibly talented Natalie Owen, with photography by Tania Hoser, and featuring the gorgeous Kat Crawley, the cover embraces the bright, fun times of my favourite decade. I love it!

The 80s Annual vol. II will be published in November. Watch this space …

Cover Design

 

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The Word On The Street

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Flicking through the pages of the recently released winter edition of Street Sounds, I was delighted to come across this fantastic review of The 80’s Annual.

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If you too want to be kept in “a nostalgic 80s-gasm for hours” you can order a copy of the annual from online retailers, including Amazon and The Book Depository.

When Tomorrow Comes

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It is almost three months since the cover of The 80’s Annual was revealed, and since then there has been a steady build up to its release on 1st November. The last week or so has flown past as I have juggled existing writing commitments with press and radio interviews to promote the annual. Having finally adjusted to being the interviewee rather than the interviewer, I look forward to the forthcoming interviews I have lined up, including those with BBC Radio London and Nub TV. Now however, my focus is solely on the annual’s launch tomorrow, when the ideas, research and passion for my favourite decade become a tangible reality out for public consumption. 1980s annual cover (2)

A mixture of excitement and nerves, I eagerly await the feedback on what has been both the most fun and the most time-consuming publication I have written to date. It would not have been possible without the contributions and help of all those who feature in the annual’s list of acknowledgements, and I would like to take this opportunity to say a big ‘Thank You’ to each and every one of you.

Available from Amazon and Waterstones, The 80’s Annual is “a collection of features, photos and fun for the adult child of the Eighties. Anyone who remembers the excitement of receiving an annual as a Christmas present, will enjoy the nostalgic familiarity of The 80’s Annual, as well as uncovering new discoveries about some of their favourite faces of the decade.”

Here are some comments from those who have had a preview of the annual:

“What would we do without our ‘cultural’ magazines? Every generation needs them.  This 80’s annual really does the job of capturing the essence of the era.”  Suzi Quatro

“It gives a fantastic sense of nostalgia … evocative of a bygone age, with a great love of that.” Jona Lewie

“J.R. Ewing, Del Boy, Iron Maiden, The Specials, MTV, Walkmans, Pac-Man, Cheers, home computers, Blade Runner, E.T., The Terminator, Die Hard, the fall of The Wall … what’s not to love about the 1980s? The decade shouldn’t just be celebrated, it should be preserved in aspic. Just don’t mention the Care Bears. Happy to have my pick of TV shows included in The 80’s Annual.” Garry Bushell

I look forward to receiving your feedback too, and don’t forget to tweet or send me your photos of you with your copy of The 80’s Annual.

I’d Rather Jack Up The 80s

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Some summers remain firmly fixed in our memories, as vivid as the days we experienced them. For me, my first teenage summer in 1984 was long, hot days spent soaking up the sun, set against a backdrop of some of the best music of the decade: Prince, Frankie Goes To Hollywood and my favourite track of the Eighties, The Kane Gang’s ‘Closest Thing To Heaven’. Ten years later, the music had taken a backseat and cooling shade had become my best friend, as I enjoyed my first summer with my baby daughter. Fast forward to 2016, when both my adult children had flown the nest, and I found myself travelling back three decades, listening to the music of my youth in glorious sunshine.

The reason for this fabulous blast from the past was the Jack Up The 80s festival on the Isle of Wight. Now in its fourth year, the event was held on 13th and 14th August. Set in beautiful countryside on the outskirts of Newchurch, it was blessed with fantastic weather as well as some outstanding performances.

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Fun in the sun at Jack Up The 80s

Strolling across the festival field when I arrived on Saturday, I was greeted by the sounds of local band High School Never Ends. The duo, who were also the opening act the next day, brought us some great rock classics from the likes of Billy Idol and Twisted Sister. Although I’m not too sure about their inclusion of Partners In Kryme’s ‘Turtle Power’!

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Ska’d For Life’s Charissa Bartram (Sax), Ben Bartram (trombone) & Russ Osman (trumpet)

From Rock to Ska, both days saw local band Ska’d For Life take to the stage next. Delivering all the favourites from the likes of The Specials and Madness, the band went down a storm with the crowd who, by the end of the set, were more than ready for what the rest of the day had to offer.

Saturday saw Light of The World kick off things for the 80’s acts. Dressed in sharp silver suits, reminiscent of my clubbing days, Nat Augustin and Gee Bello looked as good and smooth as they sounded.

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L-R: Nat Augustin, Gee Bello, Myles Kane, Jimmy Chambers & Jimmy Helms

The same can undoubtedly be said for Londonbeat, who were next in the running order. Dressed in brilliant white, the trio, led by the ever-youthful Jimmy Helms, delighted us with a pitch perfect acapella rendition of ‘9 A.M. (The Comfort Zone)’ ahead of a soulful and upbeat set, which included their 1990 No. 2 hit ‘I’ve Been Thinking About You’.

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Clark spies me behind the camera

A short break as instruments were set up on stage, and then we saw Johnny Hates Jazz make an appearance. A well-balanced mix of old and new, we heard 1987 hits ‘Turn Back The Clock’ and  ‘I Don’t Want To Be A Hero’ alongside contemporary tracks like the 2013 release ‘Magnetized’. I had interviewed lead singer Clark Datchler earlier in the day, but was nonetheless surprised when he spotted me taking photos at the front of the stage, during the band’s performance of  ‘Shattered Dreams’.

As the set drew to a close, I made my way over to Phil and Bruce, a couple of twenty-somethings I had interviewed earlier for The 80’s Annual, who were working on the Pizzeria van.

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Bruce (L), Phil (centre) and the Pizza boys

Returning with my takeaway food to the backstage tent, skillfully designed by Jo Monck in a Royal Wedding theme, I found it to be empty except for one other person. And that is how I came to be eating pizza on a sunny August afternoon, as Paul Young snoozed on the sofa behind me. I did toy with the idea of waking him, to inform him of the interesting fact that his birthday is the day after mine, but knowing what I am like when I’m tired thought it best to let sleeping singers lie!

The arrival of From The Jam and Leo Sayer on site soon saw the backstage buzz return, and it wasn’t long before we were presented with the opportunity to photograph three musical greats together.

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Bruce Foxton, Paul Young and Leo Sayer

To say that meeting Leo Sayer was a pleasure is an understatement. P1000179 (800x787)After this photo was taken, we spent some time discussing the writing talents of Billy Nicholls, who wrote the singer’s 1978 No. 6 hit single ‘I Can’t Stop Loving You’ and whom I had met the previous month, when he performed with old friends Slim Chance. Saturday’s headliner treated us to tracks from across four decades, including ‘One Man Band’, ‘More Than I Can Say’ and ‘You Make Me Feel Like Dancing’, and more than deserved his top billing. However, for me, it was the preceding two acts who ranked highest.

Rounding off the afternoon’s performances in style was Paul Young, who was joined by fellow Los Pacaminos member, guitarist Jamie Moses. Anyone who has witnessed them playing in the side project they founded in 1992, will be familiar with the camaraderie between the pair. As the singer launched into some of the hits from his solo career, including ‘Love of The Common People’, ‘Every Time You Go Away’ and ‘Wherever I Lay My Hat’ that friendship was never more evident. Perhaps more used to having underwear thrown at him during the Eighties, Paul looked somewhat bemused when a woolly hat landed at his feet. He placed the winter attire on the head of guitarist Dale Davis who, unable to remove the knitwear whilst playing, continued to wear it for a number of tracks, much to the amigos’ amusement.

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Dale Davis wears the woolly hat that put a smile on the faces of Paul Young and Jamie Moses

The hilarity reached even greater heights after a wardrobe malfunctionP1000308.JPG occurred during the performance of ‘I’m Gonna Tear Your Playhouse Down’. Sitting on the edge of the stage to deliver the second half of the song, the singer leaned back to put even more power behind the vocal. I think he must haveP1000313.JPG felt something snap at this point, because when Paul stood up, those of us close to the stage could see his belt had broken.

Anyone who was not aware of the situation was soon put fully in the picture, thanks to Jamie’s on stage antics, as shown in the video below. Ever the professional, Mr. Young left to make a swift costume change, returning sporting a new, shiny belt.

Clothing capers and band chemistry aside (although the latter is undeniably an integral feature that only serves to enhance the overall performance) this was an amazing set of classic Paul Young tracks, which all his fans in the audience (including me) will treasure. It was only surpassed, by the very tiniest of margins, by that of From The Jam.

Featuring a current line-up of Bruce Foxton, Russell Hastings, Mike Randon (drums) and Andy Fairclough (Hammond organ) the band went straighP1000557 (800x607)t in for the kill, opening with their 1982 chart topper ‘A Town Called Malice’. Hit after hit followed, including ‘David Watts’, ‘Going Underground’, ‘Beat Surrender’, ‘That’s Entertainment’, ‘Eton Rifles’ and an encore of ‘Down In The Tube Station At Midnight’. Totally mesmerised by the band playing just feet away from me, I remained in my photographic vantage point at the front of the stage throughout the whole performance.

Whilst there, I noticed a change in the chants emanating from behind me. Cries of “We love you, Paul” had beenP1000580 (738x800) replaced by gruff, one-word shouts of “Bruce” and “Russell”. Glancing over my shoulder, I took in the now predominantly male contingent stood at the barriers. This is what they had been waiting for all day long, and who could blame them?
Russell Hastings fronts the band in a way we would have thought inconceivable during the Eighties, spitting out lyrics with a force and passion of which Weller himself would be proud. Bruce Foxton retains his iconic status in my eyes, a genius bass player who twice performed his famous mid-air jumps during the set.

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One of the most animated drummers I have ever seen live, Mike Randon plays with a fervour better associated with musicians whose instruments afford them mobility around the stage, as was the case with Andy Fairclough. Watching him furiously strike the keys, it felt almost as if he was imprisoned by his keyboards, his frenetic playing his only chance of escape.

The whole effect was an explosive, exciting and capivating display of some of the best songs to come out of the Eighties. How would Sunday compare?

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Mike Randon, Andy Fairclough, Russell Hastings & Bruce Foxton after From The Jam’s set

The second day of the festival saw the 80’s artists begin with Nathan Moore who, inP1000744.JPG addition to singing the Brother Beyond tracks ‘The Harder I Try’ and ‘He Ain’t No Competition’ brought us The Gap Band’s ‘Oops Upside Your Head’. In no time, huge rows of festival-goers were sat on the ground,  floor-dancing to the Rowing Boat Song. A crowd pleaser if ever I saw one.

Next on stage was a man whose No. 3 single ‘My Favourite Waste of Time’ becameP1000861.JPG synonymous with the Summer of ’86. It is hard to believe that 30 years have passed since then, but as Owen sang the catchy track and the sun shone down, I was once again 15 years old.  The Glaswegian singer, who also performs alongside his brother, ex-Simple Minds drummer Brian McGee, in the band XSM included in his set ‘Don’t You Forget About Me’ and ‘The Living Years’, a song he perfected during his time spent with Mike and The Mechanics. He handed over a well warmed up audience to Phil Fearon.

The Galaxy frontman, who featured dance floor acrobatics in his 80’s appearances, may have put his backflips on hold but little else has changed in the past three decades.P1010009.JPG Looking considerably younger than his 60 years, Phil sported that 80’s favourite fashion combo of t-shirt and suit, as he delivered a feel good set of disco tracks such as ‘Everbody’s Laughing’, ‘I Can Prove It’ and ‘Dancing Tight’. He set the scene perfectly for Bizarre Inc. vocalist Angie Brown.

Accompanied by sons Cuba (11) and Charlie (8P1010047 (573x800)), the singing sensation showed she had lost none of her extensive vocal range over the years, as she powered out ‘I’m Gonna Get You’, watched proudly by her boys from behind the stage curtains. They gave no clue when I photographed them that minutes later they would be joining their mother for a rendition of Sister Sledge’s ‘We Are Family’. Performing obviously runs in their genes, and as the mini entertainers returned backstage, I remarked that it looked like they had enjoyed themselves, to which Cuba replied “Yes, that’s why I do it for no charge.” A star in the making, surely. A little while later, Charlie, who has to be the most eloquent 8-year-old I have ever encountered, engaged me in conversation. Flitting between topics such as his ambition to be an Olympic gymnast or a dancer, and favourite annual events (he argued a very convincing case for Hallowe’en), I was only reminded of his young age when he burst into a fit of giggles, upon hearing Denise Pearson working through her vocal exercises at the far end of the tent.

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Stars in the making: Angie Brown’s sons Cuba (left) and Charlie

Five Star were due on stage after tribute band Abba Chique. While the faux Swedish singers performed, I chatted with more of the colourful crowd. From families to groups of friends, forty-somethings and older to my kids’ generation and younger, everyone was brimming with praise for the festival. Whether it was the provision of children’s lunch boxes, reasonably priced catering or simply “bloody good music”, the general consensus was a big thumbs up for Jack Up The 80s. I have to say, I agree.

As with any retro festival, the weekend also presented us with more than a smattering of neon and a plethora of fancy dress. I spoke to Mr. T. a.k.a. Michael Bending from Northampton. The 46-year-old has appeared at Jack Up The 80s dressed as The A-Team’s B. A. Baracus for the past four years. At least he never had to get on no plane for the 300 mile round trip!

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Some of the outfits worn by Jack Up The 80s festival-goers

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Buster Bloodvessel with his copy of ‘Your Eighties’

Returning to the backstage area, I discovered that Bad Manners had recently arrived. Having greeted the band, I gave Buster Bloodvessel a copy of my book ‘Your Eighties’, for which I had interviewed him almost two years ago. Much to the group’s amusement, I then made the mistake of asking “Can I have a photo of you holding it?” Naming no names, but a certain saxophonist has a particularly smutty mind!

Leaving the boys to enjoy their backstage banter, I returned to the front of the stage to await Five Star, who were minus Doris that day. In her place was Kerry, who sang and danced with the same highly polished quality we have come to associate with the Pearson siblings.

Opening with their 1986 Top 10 single ‘Can’t Wait Another Minute’ and finishing with their biggest hit ‘Rain or Shine’, the quartet also featured a number of superb cover versions in their set, such as Whitney Houston’s ‘I Wanna Dance With Somebody’, The Jackson 5’s ‘I Want You Back’ and Mark Ronson’s ‘Uptown Funk’.

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Feeling the love at Jack Up The 80s: Five Star’s Stedman, Delroy and Denise Pearson

Looking every bit as good as they sounded, and executing each dance routine in complete synchronicity, it was apparent that their dedication to achieving entertainment perfection was equal to their dedication to each other.

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Bad Manners drummer Mark Hamilton

Minutes after Five Star left the stage, drummer Mark Hamilton was warming up backstage ahead of his performance with Bad Manners. Ripples of anticipation spread amongst the crowd as Ska fans made their way forwards, eagerly awaiting Sunday’s headliners.

Before you could say “Lip Up Fatty”, the band bounded on stage and the party started. Buster saluted the audience with his pint of lager before transporting them back to the early Eighties with tracks like ‘Special Brew’, ‘Walking In The Sunshine’ and ‘Fatty Fatty’, alongside later material such as the 1992 release ‘Feel Like Jumping’. And jump they did.Bad Manners.jpg

Like a bunch of tequila-fuelled schoolboys, the band bounced, ran and laughed their way through the final show of the weekend, and we loved them for it. Watching the crowd, arms aloft, singing and dancing along, with the biggest of grins on their faces, I could think of no better choice of act to finish this nostalgia-fest. More than the skilled musicianship, which these guys have in heaps, this was about fun with a capital ‘F’.Bad Manners 2.jpg

That evening, I left the festival field feeling years younger, having gained some very special memories, not to mention some special friends. What better motivation for you all to descend on Isle of Wight next August, for Jack Up The 80s Volume 5? I’ll see you there.

 

 

Rock ‘n’ Rain

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Late Saturday morning saw me doing my best Girl Guide impression as, fully prepared for what the elements might throw at us, I trekked across fields, laden with everything I might need for the day. Okay, so the fields were Sandwell Country Park in West Bromwich, and my ‘load’ was a festival chair, umbrella, waterproof jacket and several layers of clothing, but as a fairweather festival-goer, and with rain forecast  throughout the day, this was me out of my comfort zone.

I was undeterred by the prospect of a downpour, as the main reason I had chosen Let’s Rock Birmingham as my first festival of the year, was the opportunity to see Tiffany live, and she didn’t disappoint. Hearing her sing live was worth getting a soaking. Besides which, the sporadic showers meant my normally straightened hair reverted to its natural curly/frizzy state. I achieved an authentic Eighties look without even trying!

From the moment Tiffany came on stage, singing the chart-topping “I Think We’re Alone Now”, she gave a first class performance. Including “Right Here” from her new album “A Million Miles”, and a superb rendition of “Sweet Child of Mine” in her set, my personal favourite was “Could’ve Been”, a beautiful track I’ve loved since its release in ’88. Standing a few feet away from the singer, as Ms Darwish delivered the song note perfect, was one of the day’s highlights for me.

I say one because, with so many fantastic acts performing, it was an impossible task to choose an outright favourite. Jimmy Somerville was outstanding; Five Star gave a flawless, polished song and dance set. Go West’s Peter Cox was gorgeous and gravelly-voiced, as always; Martin Fry stylish and classy, treating us to ABC’s 80’s hits, as well as “Viva Love” from the “Lexicon of Love II” album. Dr & The Medics kicked the day off to a great start, and had the crowd singing along and dancing within seconds of playing; Holly Johnson provided a fabulous finale, performing Frankie Goes To Hollywood classics and solo tracks, including this year’s earlier release “Ascension”. As I said, impossible to choose.

If you were there, let me know what you thought about the day’s performances. Likewise to those of you attending any of this summer’s forthcoming retro festivals. Looking forward to hearing from you…

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Living In Dreamtime

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Growing up in East Kent during the 80s meant many a summer’s day spent at Margate’s Dreamland, or Bembom Brothers Amusement Park,11811464_10153477073223608_6241874286880118514_n (2) as it was known for the latter half of the decade. Catching the train from Faversham, and picking up friends in Whitstable and Herne Bay en route, we would arrive as the park gates opened at 10am, and stay until the sun went down and the fairground lights illuminated our screams and laughter.

A lot of the IMG_20160405_125242815.jpgrides from those halcyon days, such as the Looping Star, Mary Rose, Cyclone and the Water Chute, have long since departed the coastal town. However, firm favourites like the Scenic Railway, Big Wheel and Enterprise continue to stand proudly and operate in the park, since the its re-launch last year. You can imagine how excited I was when Dreamland agreed not only to let me undertake an 80’s photoshoot there, but allowed us to go on the rides too! So, as our photographer set to work with models Sophie and Robyn, I couldn’t resist giving the Scenic Railway a ‘test ride’, along with Deborah Ellis of Madam Popoff Vintage Emporium, our wardrobe stylist.

The shoot was 11807167_10206595824245903_8718379037010513288_ofor a photo story which will appear in a publication I have coming out later this year, and I marvelled as I watched my the story I had written come to life. Yes, the storyline may have been cheesy, but seeing as we had travelled back to 1984 for the day, it was apt.

When writing the story, I had integrated the rides and park features to the extent that removing them would have involved completely re-writing the plot. I had also worked on the assumption that everyone loved fairground rides as much as I do. Oops!

Fortunately, both photographer and model overcame their fear of going on the Big Wheel, in order for the storyline to progress as planned. Similarly, Mason, one of ouIMG_20160405_134155363.jpgr male models managed to stay upright in his roller boats long enough for us to get the shots we needed, without being knocked over by the speeding kids in the roller rink. I never entertained the possibility of a non-skater, when I wrote the story!

So, a few lessons learned and some top class work from everyone involved, and we ended up with the perfect shots, not to mention having a lot a fun in the process. I can’t wait to see the final published result.

Huge thanks to Dreamland for letting us have free reign in an iconic landmark, which holds a special place in my heart.  A big thank you too to models Sophie, Robyn, Oli and Mason, photographer Alan Langley and his assistant, Olivia, make-up and hair stylists Nina Gregory and Hayley Edwards, and to Madam Popoff herself, Deborah Ellis.

I look forward to joining Deborah at her Retro Party on 30th April, where I will be signing copies of ‘Your Eighties’ from 3pm to 5pm, alongside Punk Poet Garry Johnson and Bob Bradbury, lead singer of Hello. I hope to see some of you there.

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Down To Margate

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As a teenager, I loved going to Margate. Half an hour’s train ride from my home town of Faversham, the summer holidays would see me at the seaside town as often as I could. Long, sunny days spent at Dreamland (or Bembom Brothers, as it became during the 80s), an ice cream on the sandy beach, and buying cheap sunglasses and t-shirts from the souvenir shops in Arlington Square are forever etched in my memory.

Margate may have changed in the last three decades, but with the renovation and re-opening of Dreamland last year, some fantastic artwork on display at the Turner Contemporary (Grayson Perry’s ‘Provincial Punk’ exhibition last summer was incredible), and an ever-expanding Vintage Quarter to peruse, that change is for the better.

I have been invited to attend a Retro Event at one of the vintage stores thriving in this area of Margate, and will be signing copies of ‘Your Eighties’ from 2-4pm at Madam Popoff, on Saturday 30th April.

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However, I plan to be there most of the day to meet the celebrity guests who will making appearances throughout the day. I am also looking forward to meeting up with my fellow New Haven Publishing author, Garry Johnson, who will be signing copies of his book ‘Punk Rock Stories and Tabloid Tales’, and with Bob Bradbury from Glam Rock band Hello, who will be signing copies of his first solo CD album ‘Mad Affair’. Full guest list and timings will be announced nearer to the event, but it plans to be a fabulous afternoon for anyone with an interest in all things retro and vintage, with clothes and accessories from the 1940s onwards available for purchase.

Entry is free, so come along and join in the fun – I look forward to seeing you there!